Part I, Part II, Part III, Part IV
In Part III, I wrote that Edward Leedskalnin’s real message in his book, Magnetic Current, has to do with electrostatic fields and one’s orientation relative to the absolute axes of the universe. I believe that the entire message that Ed was trying to convey is contained in the first sentence of the book. I think that the rest of the book may have been a diversion. I also explained the riddle of the Sphinx and mentioned that Ed left another important clue, a stone shaped like a right angle. In this post, I will go over the meaning of the right angle stone and a couple of other related things. If you have not already done so, please read Physics: The Problem With Motion, Understanding the Lattice and the first three parts of this article before continuing.
Ed’s Flanking Stones
The problem with creating an electrostatic field between two plates is that there are two poles, positive and negative. Positive seraphim flowing from one plate meet negative seraphim coming from the other plate and cancel each other out. That is to say, no net force is created on a stone placed in the middle.
Coral Castle. Observe that the big 30-ton block sitting on the ground in the middle is flanked by two smaller blocks.
Click to enlargeThat is an interesting arrangement in its own right but what is even more interesting, in my opinion, are the horizontal lines on the flanking stones. Do you see the similarity between my diagram above and Ed’s blocks? Why would Ed place three blocks side by side when he could just as easily have placed a bigger block at the same spot? After all, if you can cut, lift and transport a 30-ton rock, how much more work would a 60-ton rock be? Ed was obviously sending a message. The symbolism of the structure is so striking that it seems to me that he must have understood a lot more about the underlying theory of levitation than can be surmised from his writings alone. It's either that or he was being directed by someone else. Who knows? There is much more to the mystery of Ed Leedskalnin and his castle than we can know for now.
The Right Angle Stone
When faced with a situation where the energy conservation principle is violated, nature must correct the violation somehow. (By the way, all conservation principles known to physics are derived from the mother of all conservation principles, the conservation of nothing. But that’s a topic for a future article). In this case, nature if forced to transform the seraphim in the counter-moving beams by transferring energy from one wing to another in order to eliminate the violation. The result is that the seraphim instantly change their movement and start moving in a perpendicular direction. If the seraphim were moving in a trajectory parallel to one of the absolute axes of the universes, nature has only two other perpendicular directions to work with, owing to the finite number of wings and the restrictions imposed on seraphical movement (see previous post). There is no reason to prefer one to the other. So nature chooses them at random, which means that, on average, the net effect is nil. The important thing to note about all of this is that the seraphim must do a 90-degree turn. I believe that this is part of the symbolic meaning of Ed's right-angle stone perched on a pedestal on top of the 30-stone block. The key to levitation is to come up with a way to force nature to do your bidding. Ed's right angle stone is an important part of the secret.
Lo que será, será
Whatever will be will be. At this point, it would be impossible for me to write another post on this subject without revealing the full secret of lattice propulsion (and stone levitation), a secret that was known to Ed Leedskalnin more than half a century ago, and to a select few in ancient times, a secret that will shake the world in more ways than one. I am very much aware of the possible consequences of unleashing this knowledge into the world and, frankly speaking, I am rather scared. I am scared for myself because a) I neither want nor need the publicity and b) this is the kind of stuff that brings out the evil in men. I am scared for humanity as well because, letting this knowledge loose into the world will be highly destabilizing, to say the least. But then again, I am just a raving lunatic, so I don't really know for sure what will happen.
U Can’t Touch This
That being said, something keeps telling me that all secrets are uncovered sooner or later and that this may be the right time for the ancient and powerful secret of the sea of glass and the six-winged seraphim to come out. If not, then I would not be able to reveal it even if I tried with all my might. I am planning a demonstration at a time and place of my choosing (soon, I hope). I cannot publish the experimental setup until after the demo. Why? Because I have noticed a tendency within the physics community to claim that they already have a theory for something even when the historical evidence squarely contradicts them. It's the "we knew it all along" syndrome. Someone wrote to tell me that physicists are way ahead of me and that they already know all about the lattice. They even have a name for it: the zero-point energy field. Ok. Whatever. What I really want to do is to demonstrate the levitation technology based on the hypothesis that I've tried to explain in these articles and then issue a challenge to the physics community to duplicate it. The name of the challenge will be “U can’t touch this”, following on a theme made famous by the M.C. Hammer song of the same name. In other words, the challenge will be, can your physics do this?
We are living in exciting times. Hang in there.